In Earth Engines, the agency of the organic takes shape in staged photographs and sound sculptures in which technology channels the earth's electric complexity. Oliver DiCicco's indefinable organisms don't simply emulate the humming of nature's underbelly but directly access the mechanics of sound. His Sirens reckon the sea's psyche in its physical unrest and mythical meanderings. Barry Underwood's surreal staged photographs, intermingling issues of contemporary painting, cinema and land art, surveil landscapes of the impossible.

_: